EVENT TECHNICIAN

What equipment does an event technician need?
Professional live event production demands reliable workwear, sturdy safety boots, and practical gear for stage build-ups. From integrating complex AV networks and lighting design to rigging, the right equipment makes the difference in safety, efficiency, and delivering the perfect show moment. Here you’ll find everything you need for professional work in live event production.

Recommended for your day-to-day event work

FORSBERG Braxa II Arbeitshose

€79.99

FORSBERG Halpa work pants

€27.99 €39.99 (30% saved)

DASSY Liverpool work trousers

Variants from €25.99

€39.99 €41.99 (4% saved)

FORSBERG solid color t-shirt twin pack

€19.99 €29.99 (33% saved)

FORSBERG Allwetterjacke mit Brusttasche

€99.99 €129.99 (23% saved)

FORSBERG Vardir fleece vest

€24.99 €34.99 (28% saved)

Carhartt t-shirt with breast pocket

Variants from €14.99

€19.99 €22.99 (13% saved)

FORSBERG Brodir III functional fleece jacket

€29.99 €39.99 (25% saved)

GORAN STOJKOVIĆ, 38

WHEN TECHNOLOGY AND EMOTION BECOME ONE ON STAGE

Event Technician / Technical Director (Audio & Lighting).

Behind every goosebump moment are hours of planning, cable management, and programming. Goran is the invisible conductor behind the stage—designing complex AV networks, programming lighting looks, and overseeing rigging. With over 15 years of live event production experience, he knows: the right equipment and a well-coordinated crew are the difference between a good show and a truly magical moment.

Product selection

Shoes

Goran Shop The Look Veranstaltungstechnik

FORSBERG Zip-Hoodie mit Frottee Logo Variant: black | L

€44.99 €59.99 (25% saved)

FORSBERG Halpa work pants Variant: black | 48

€27.99 €39.99 (30% saved)

FORSBERG Skjolvak taktische robuste Lederhandschuhe Variant: black | L

€29.99

U-Power Alyx Sicherheitsschuhe Variant: 41 (UK 7) | black/blue

€103.99 €114.99 (9% saved)

HIS KIND OF OFF-TIME

By day, he makes sure others shine—lights, sound, tech, everything dialed in. Running cables, building stages, keeping the show moving in the background. In the evening, he swaps the headset for drumsticks and sits down at the kit. No audience, no gig—just him, the rhythm, and four brick walls. His off-time is loud. And that’s exactly how it should be.